A frank and candid glimpse into the early life of the maturing poet.

Die Suche scheint zunächst der Philosophie als Objekt oder Wissenschaft zu gelten. Paradigmatisch läßt sich dies am Gang der neuzeitlichen Philosophie von Descartes bis Kant verfolgen. Gerade an ihren philosophischen Ansätzen zeigt sich aber zugleich, daß jene Suche nach einer Universalwissenschaft, sofern diese auf einem unbedingten Prinzip beruhen muß, in keinem Finden sich beruhigen kann. Dieses Dilemma drückt Friedrich von Hardenberg am Beginn seiner Vermischten Bemerkungen prägnant aus in der Sentenz: Wir suchen überall das Unbedingte und finden immer (...) nur Dinge. (shrink)

Dann überstürzen sich die Ereignisse, als er den Ruf nach Jena erhält und dort im Sommersemester 1794 seine Vorlesungstätigkeit aufnehmen muß. Im April veröffentlicht er die Schrift Über den Begriff der Wissenschaftslehre oder der sogenannten Philosophie, als Einladungsschrift zu seinen Vorlesungen über diese Wissenschaft und gibt damit seiner Lehre den zunächst öffentlich rätselhaften, heute berühmten Namen. Parallel zu seiner Jenenser Vorlesung erscheint die Grundlage der gesamten Wissenschaftslehre, als Handschrift für seine Zuhörer, die bis zur Veröffentlichung des Nachlasses 1834/35 wichtigster Bezugspunkt (...) jeder Auseinandersetzung mit Fichte bleiben wird. Es findet sich jedoch keine Gelegenheit, die Druckbögen zu überarbeiten, und auch der 1795 nachgereichte Grundriss des Eigenthümlichen der Wissenschaftslehre, in Rücksicht auf das theoretische Vermögen stellt noch keine abgerundete, sinnvoll abgeschlossene Ausformulierung der Wissenschaftslehre dar. (shrink)

Through Fire - important element in Novalis and Gaston Bachelard, we could try an approach between these two authors, separated in time, but close in the aesthetic's imagination value.Através do Fogo - elemento marcante tanto em Novalis quanto em Gaston Bachelard, pudemos ensaiar uma aproximação entre esses dois autores, distantes no tempo, mas próximos no tocante à valorização da imaginação.

In the interwar years the Gran Paradiso ibex population followed two subsequent, contrasting trends: a steady rise once the national park was established in 1922, followed by a precipitous fall after the Fascist regime took direct control of conservation in 1934, which almost led to the colony’s extinction. This paper addresses the issue of how models taken from population ecology may inform historical narratives. The data for the interwar years were analyzed using a statistical model based on climate and population (...) density, which has proved reliable for most of the post-World War II period. The article highlights the pivotal role of anthropic variables in determining the inter-war trends and how these are best analyzed using historical scholarship. (shrink)

Critic, poet and philosopher Friedrich von Schlegel was a leading figure of German Romanticism. In the two years before his untimely death, he wrote three cycles of lectures intended as part of a larger project to lay the foundations of a new general philosophy. Two of these cycles, 'Philosophie des Lebens' and 'Philosophie des Sprache und des Wortes', are reissued here in an 1847 English translation. The first presents Schlegel's understanding of philosophy as independent of theology or politics, concerned (...) with the 'inner spiritual life' of humankind. The second explores the nature of communication through language and art. Schlegel argues that full human consciousness cannot be restored by Enlightenment science, but only by divine revelation and redemption. He offers no ready-made solutions, but encourages his listeners to develop their own responses to these questions. (shrink)

Das systematische Gewicht dieser These ist bekannt. Mit ihr hat Fichte eine Überzeugung zum Ausdruck gebracht, die er als Entfaltung einer ursprünglichen Evidenz verstand, die am Beginn seines philosophischen Lebensweges stand. In ihr sind der Sache nach auch jene Einreden gegen die frühe Fassung der Wissenschaftslehre berücksichtigt und aufgenommen, wie sie vor allem von Friedrich Heinrich Jacobi, Friedrich Hölderlin und Friedrich von Hardenberg vorgebracht worden sind. Sie alle kommen darin überein, daß das Fichtesche Prinzip des Wissens (...) nicht selbstgenügsam ist und seinen Grund in einem Sein hat, das dem Wissen und der Reflexion entzogen ist. Darüber hinaus steht Fichtes These von der Grenze des Wissens für die Alternative zu Hegels Überzeugung von der Reichweite und Leistungskraft der Philosophie. (shrink)

From the contents: Hoelderlins Trennung von Fichte (Sven Juergensen).- Die Deduktion der Philosophie nach Fichte und Friedrich von Hardenberg (Frank Ruehling).- Fruehromantische Subjektkritik (Christian Iber).- Das Verhaeltnis des Selbst zu Gott in Fichtes Wissenschaftslehre (Akira Omine).- Das Wir in der spaeten Wissenschaftslehre (Urs Richli).- Etre et Apparition selon la doctrine de la science de 1812 (Miklos Veto).

En 1797, le jeune Friedrich von Hardenberg, plus connu sous le nom de plume Novalis, décide de s'engager dans des études scientifiques à la célèbre Académie des Mines de Freiberg fondée dans le dernier quart du XVIIIe siècle. Jusqu'à sa mort précoce en 1801, Novalis ne cessera d'étudier les sciences de la terre en ayant à l'esprit une possible harmonisation des différents champs du savoir, à l'image de la réalité tellurique, tout à la fois mêlée et organisée.

Was the philosophy of Early German Romanticism, as we understand it today, nothing but a milder variety of Early German Idealism? Not at all! One has only to note the radical differences between the two. Friedrich von Hardenberg and Friedrich Schlegel, the two most significant thinkers of the Early Romantic movement, decisively broke with what Reinhold’s critical disciples had called a “philosophy from the highest principle [Grundsatzphilosophie].” Instead of adopting Reinhold’s and Fichte’s idea of subjectivity as the (...) principle of a deductively unfolding system of knowledge, they replaced it with the idea of “philosophy as an unending longing for the Infinite.” Who only aspires to the Absolute cannot pretend to “possess” or capture it in an absolute knowledge as Fichte and Hegel did, but Schelling did not. Underlying Hegel’s and Fichte’s denial that the Absolute transcends knowability is the temptation to make existence itself dependent upon the grasp of thoughts or concepts, a temptation firmly rejected by the Early Romantics. This is why Early Romanticism should not be considered as a species of one or the other kind of Idealism, as most German and American researchers would like it to be. (shrink)

This volume presents the first complete translation of Fichte Studies, a powerful, creative and sustained critique of Fichtean philosophy by the young philosopher-poet Friedrich von Hardenberg, who under the pen-name Novalis went on to become the most well-known and beloved of the early German Romantic writers. Anyone interested in the fate of German philosophy and literature immediately after Kant will find this collection of notes and aphorisms a treasure-trove of original contributions on the nature of self-consciousness, the relation (...) of art to philosophy, and the nature of philosophical inquiry. There are also the beginnings of a strikingly contemporary-sounding semiotic theory. The text is translated by Jane Kneller, who also provides an introduction situating the Fichte Studies in the context of Novalis' life and work. (shrink)

Introduction -- Epistemology, metaphysics, and rhetoric : contexts of imagination -- Aristotle, Phantasia, and the problem of epistemology -- Plato, the neoplatonists, and the vagaries of the sublunar world -- Phantasia and ecstatic knowledge -- A more skillful artist than imitation -- Dreams, doubts, and evil demons : Descartes and imagination -- Mediatio prima : certainty, the cogito, and imagination -- Imagination in the rules -- Meditatio secunda : the world of the cogito -- Descartes, Montaigne, and Pascal -- Analogies (...) and enthusiasm -- Excogitations : fabulating the cogito -- The reasonable imagination : Immanuel Kant's critical philosophy -- Imagination in the limits of pure reason -- Dreamers and madmen : imagination in the anthropology -- Natural art and sublime madness : imagination in the critique of judgment -- The highest point of philosophy : Fichte's reimagining of the kantian system -- The logics of positing intellectual intuition and the absolute subject -- Ecstasy, inspired communication, and philosophical genius -- Light, dusk, and darkness : the reconciliation of opposites -- The metaphysics of oscillation and the truth of imagination -- Reason fixations : arresting imagination -- A system without foundations : poetic subjectivity in Friedrich von Hardenberg's Ordo inversus -- A system without foundations -- Fantasy and the body -- Divine law and abject subjectivity : Coleridge and the double knowledge of imagination -- Divine imagination -- The abyss of the empirical self -- Coda: Imagining ideology. (shrink)

Alexander Nehamas and others have recently attempted to revive a conception of ethics that is centered on self-formation and the values of aesthetic coherence. This conception faces several difficulties, including the lack of fit between models of aesthetic coherence in literary works and individual lives and an absence of determinate content. The argument of this paper is that both of these defects are absent from the work of one of the earliest and most vocal exponents of this conception of ethics, (...) Friedrich von Hardenberg (1772–1801), better known by his pseudonym “Novalis”. The paper begins by reviewing the growing consensus among scholars that Novalis makes a serious contribution to philosophy, and by pointing out the lack of attention paid to his moral philosophy. His conception of moral life as an infinite process of approximation the archetypal unity of the divine is then explicated in detail. Particular attention is paid to the manner in which his model of moral life and conception of aesthetic coherence avoids some of the difficulties faced by more recent theorists. (shrink)

Zusammenfassung Das Thema des Gottesdienstes hat in der neueren theologiegeschichtlichen Forschung bislang keine hinreichende Beachtung gefunden. Die Diskussionen über die Notwendigkeit des Gottesdienstes, seinen Charakter und seinen Symbolgehalt führten am Ende des 18. Jahrhunderts zu einer grundsätzlichen Erörterung des positiven Charakters des Christentums und seiner institutionellen Rolle in der bürgerlichen Gesellschaft. Die Schriften Immanuel Kants, Carl Friedrich Stäudlins und Friedrich von Hardenbergs belegen den damaligen Wandel der Gottesdienstauffassung, indem sie die Ideen der Französischen Revolution und deren Implikationen für (...) das religiöse Leben thematisieren. Kants Unterscheidung von politischer und moralischer Religion nutzte Stäudlin, um die theophilanthropische Form eines aufklärerischen Gottesdienstes zu kritisieren. Novalis beurteilte die Theophilanthropie, die er als Negation jeglicher genuinen Religion ansah, ebenfalls kritisch. In Kants, Stäudlins und Novalis' Stellungnahmen zu Fragen des Gottesdienstes deutet sich zugleich der Übergang von aufklärerischen Religionskategorien zu frühromantischen Religionsmotiven an. (shrink)

1798 es un año clave en la obra de Friedrich von Hardenberg. En primer lugar, es el año de aparición de las colecciones de fragmentos que llegó a ver impresas (Polen y Fe y amor, o el rey y la reina) y el de redacción de varias otras colecciones que no saldrían a la luz en vida del autor. En algún caso, porque el texto no fue aceptado por quienes debían publicarlo, como ocurrió con los Aforismos políticos. En (...) varios otros casos, porque no llegó siquiera a ser preparado para la imprenta, como ocurrió con los diversos proyectos incluidos por los editores en una sección titulada Vorarbeiten zu verschiedenen Fragmentsammlungen (“Trabajos preliminares para distintas colecciones de fragmentos”) en el volumen II de la edición más jerarquizada de su obra completa. Entre estos últimos “trabajos preliminares” están los así llamados Teplitzer Fragmente (“Fragmentos de Teplice”), traducidos aquí por primera vez al castellano. Hardenberg tuvo, al menos por un tiempo, la intención de destinar estas notas a publicación –como se infiere del grado particularmente alto de elaboración y reelaboración del texto, constatable en los manuscritos–, pero permanecieron inéditas, al igual que un importante porcentaje de sus escritos, por muchísimos años. (shrink)

German Romanticism is commonly associated with nationalism rather than cosmopolitanism. Against this standard picture, I argue that the early German romantic author, Novalis (Georg Philipp Friedrich von Hardenberg, 1772–1801) holds a decidedly cosmopolitan view. Novalis’s essay “Christianity or Europe” has been the subject of much dispute and puzzlement ever since he presented it to the Jena romantic circle in the fall of 1799. On the basis of an account of the philosophical background of Novalis’s romanticism, I show that (...) the image of the Middle Ages sketched in “Christianity or Europe” plays a symbolic role and should not be taken as a literal description of the historical past or as a blueprint for the future. Rather, the romantic picture of medieval Europe serves to evoke poetically the ideal of a cosmopolitan re-unification of humanity. (shrink)

Romanticism was a philosophical movement concerned with the question of orders—orders of things, of persons, of being. Friedrich von Hardenberg, the Early German Romantic who called himself Novalis, writes that “only [the infinite stone] is firm // it is the dos moi, pu sto [give me a place to stand] of Archimedes” . It is strange to find, among the foundational texts of Early German Romanticism, anything having to do with foundations. The movement has often been characterized as (...) “anti-foundational” and even occasionalist . And yet statements revealing a fascination with figures of intervention, revolution, and .. (shrink)

En el presente artículo se analiza la relación filosófica entre la obra de Johann Gottlieb Fichte (1762-1814) y de Friedrich von Hardenberg (Novalis) (1772-1801). En particular se estudia el modo en que uno y otro concibieron el rol de la imaginación (Einbildungskraft) en el marco de sus ideas y pensamientos sobre filosofía. A su vez, este análisis conlleva determinar cuál es el tipo de relación metafísica que ellos establecieron entre los conceptos de lo finito y de lo infinito. (...) Esto último se presenta al interior de una clase particular de filosofía, a saber: el idealismo “de lo” absoluto o de lo finito, por contraposición al dogmatismo filosófico y al idealismo absoluto –encarnado en la filosofía de Hegel. Como consecuencia de este estudio en que se ponen en comparación las posturas de Fichte y de Novalis, se concluye que, para poder comprender de manera coherente sus posiciones, se tiene que resaltar el sentido moral de su pensamiento, en particular respecto de la fuerza de la imaginación en paralelo con los alcances de la facultad de la razón. También se subraya la continuidad de sus planteos respecto de la filosofía crítica y práctica de Kant. (shrink)

Why was mythology of vital importance for the romantics? What role did mythology play in their philosophical and literary work? And what common sources of influence inspired these writers across Britain and Germany at the turn of the nineteenth century? In this wide-ranging study, Owen Ware argues that the romantics turned to mythology for its potential to transform how we see ourselves, others, and the world. Engaging with authors such as William Blake, Friedrich Schlegel, Samuel Taylor Coleridge, Friedrich (...) von Hardenberg (Novalis), and Percy Bysshe Shelley, Ware shows why they believed that neither perception nor reason alone can sustain a vision of the unity of all things. A new mode of cognition is necessary, they claimed, one that revives the poetic origin of mythology and reveals our own mythmaking powers. _Return of the Gods_ investigates the rise of mythology in the British and German traditions and the romantics’ practices of reinterpreting old myths and inventing new ones. Their shared aim was nothing less than to elevate the human imagination to higher stages of self-development in which philosophy and poetry, as well as intellect and imagination, form an integrated whole. Far from calling us to return to the past, the romantics’ work on mythology points us to a future where we can live in harmony with the personal, social, and natural worlds we inhabit. Owen Ware combines intellectual history with philosophical analysis and literary criticism to offer a bold reflection on why mythology mattered for the romantics—and why it still matters today. (shrink)

The ArgumentIn this paper, the perception of mathematics by a nonspecialist, the Romantic poet Friedrich von Hardenberg (Novalis), is investigated. The study is intended to contribute to a better understanding of the interactions between mathematics and the surrounding scientific culture in Germany at the turn of the nineteenth century. In regard to the problem how the cultural reception of a theory can influence its conceptual development, I argue that the reaction of nonspecialists can be imagined as a sort (...) of resonating body. Some aspects of a theory are stressed, others are ignored or even suppressed. In this way the value system of a theory and thereby the choice of problems and the style of argumentation can be influenced by groups of people who are not active scientists. In fact, the case at hand shows that a change of values has taken place. The original aim of the combinatorial school, whose mathematics Novalis studied, was the mechanization of symbolical calculations. But later, presumably under the influence of the general cultural climate in Germany, this same mathematics was interpreted as furthering — in modern words — a study of abstract structures. (shrink)

Geist und Natur im Widerspruch und in der Übereinstimmung.--Das Menschenbild im Lichte der Heilkunde.--Roger Bacon (1214[?]-1292) und Nicolaus Cusanus (1401-1464) als Begründer chemischer und physikalisch-chemischer Methoden in der Medizin.--Leonardo da Vinci als Physiologe.--Die kosmologische Anthropologie des Paracelsus als Grundlage seiner Medizin.--Konrad Gessner (1516-1567).--Johann Jakob Scheuchzer (1672-1733).--Goethe und die wissenschaftliche Medizin seiner Zeit.--Die Krankheitsauffassung Friedrich von Hardenbergs (Novalis).--Rudolf Kassner.--Anmerkungen (p. [285]).

This first scholarly edition in English of the philosophical writings of Novalis (Friedrich von Hardenberg), the German Romantic poet, philosopher, and mining engineer, includes two collections of fragments published in 1798, Miscellaneous Observations and Faith and Love, the controversial essay Christendom or Europe, and substantial selections from his unpublished notebooks.

Der theoretische Kontext, aus dem die frühromantische, vor allem von Friedrich Schlegel und Friedrich von Hardenberg repräsentierte Denkform hervorgeht, ist bekanntlich die Philosophie des sogenannten deutschen Idealismus, namentlich die Transzendentalphilosophie Kants und Fichtes. Die Forschung vertritt nicht selten die These einer stringenten Kritik Fichtes durch die Frühromantik, welche schließlich zur Verabschiedung des Begriffs vom »Ich« im Sinne eines Fundaments aller Philosophie geführt habe. Der frühromantische Ansatz, so wird oftmals angenommen, gewinne sein Profil dadurch, daß er einen dem (...) Denken unzugänglichen Bewußtseinsgrund postuliere, während Fichte den Status der Absolutheit letztlich für das Selbstbewußtsein beanspruche. Fichte unterscheidet jedoch sehr wohl zwischen dem »empirischen Ich« und einer nur mittels methodischer Reflexion erschließbaren Instanz, die das empirische Ich begründet und der deshalb keinerlei Form von Bewußtsein zukommen kann. Die Romantiker entwickeln vielmehr aus der mit Fichte weitgehend geteilten transzendentalen Theorie des Absoluten Konsequenzen für das Philosophieren, die dann zwar eklatant von Fichte abweichen, aber auch dabei noch Einsichten der Wissenschaftslehre treu bleiben. (shrink)

First published in 1955, this volume contains three works by Friedrich von Hardenberg, the German Romantic philosopher and poet whose pseudonym Novalis was an ancient family name. The works, each given in the original German, include the only existing sections of Novalis's unfinished novel, Die Lehrlinge zu Sais; a selection of ideas published as a literary fragment in 1798 under the title Blütenstaub; and Die Christenheit oder Europa, an essay in cultural history. Of these, only Blütenstaub was published (...) before Novalis's death in 1801 at the age of 28. This volume also contains a preface in English by Brian A. Rowley, which contextualizes the three works and offers a cursory description of Novalis's life. (shrink)

History of science's spatial turn has focused on the horizontal dimension, leaving the role of the vertical mostly unexplored as both a condition and object of scientific knowledge production. This special issue seeks to contribute to a burgeoning discussion on the role of verticality in modern sciences, building upon a wider interdisciplinary debate about the importance of the vertical and the volumetric in the making of modern lifeworlds. In this essay and in the contributions that follow, verticality appears as a (...) condition of knowledge production—a set of movements and mobilities, technical challenges, political negotiations, and bodily hardships—and an object of scientific inquiry, requiring new techniques of mapping and visualisation and generative of new insights into physical processes and temporal change. By foregrounding the vertical, historians of science can gain new insights and tell new stories about how science is done in the field, the observatory, and the laboratory, and about how those sciences have helped build a modern, three-dimensional world. (shrink)

Recent scholarship has helped to demythologise the life and work of Georg Philipp Friedrich von Hardenberg who, as the poet “Novalis”, had come to instantiate the nineteenth-century’s stereotype of the romantic poet. Among Hardenberg’s interests that seem to sit uneasily with this literary persona were his interests in science and mathematics, and especially in the idea, traceable back to Leibniz, of a mathematically based computational approach to language. Hardenberg’s approach to language, and his attempts to bring (...) mathematics to bear on poetry, is examined in relation to debates that developed late in the eighteenth century over the relation of language to thought—debates which share many features with contemporary ones in this area. (shrink)

Critic, poet and philosopher Friedrich von Schlegel (1772–1829) was a leading figure of German Romanticism. In the two years before his untimely death, he wrote three cycles of lectures intended as part of a larger project to lay the foundations of a new general philosophy. Two of these cycles, 'Philosophie des Lebens' (given in 1827, published 1828) and 'Philosophie des Sprache und des Wortes' (given in December 1828 and published posthumously), are reissued here in an 1847 English translation. The (...) first presents Schlegel's understanding of philosophy as independent of theology or politics, concerned with the 'inner spiritual life' of humankind. The second explores the nature of communication through language and art. Schlegel argues that full human consciousness cannot be restored by Enlightenment science, but only by divine revelation and redemption. He offers no ready-made solutions, but encourages his listeners to develop their own responses to these questions. (shrink)

On the Deities of Samothrace is the first complete English translation of F. W. J. Schelling's remarkable 1815 lecture and subsequent book publication. This critical edition contains Schelling's original text (the lecture, endnotes, and afterword) along with explanatory notes and three original essays by the editors and translators that try to elucidate Schelling's text for contemporary readers.